Bibliography

Here you find an alphabetical bibliography with texts about photography in Israel/Palestine, mostly from academic journal. The list is constantly updated.

    • Al-Hajj, Badr (2001): Khalil Raad - Jerusalem Photographer. In: Jerusalem Quarterly 11-12. S. 34 - 39. 
    • Amir, Mayan (2014): Extraterritorial Images. In:  Architecture (Hrsg.): Forensis – The Architecture of Public Truth. Berlin, Sternberg Press, S. 720 - 740. 
    • Apel, Dora (2012): War culture and the contest of images. New Brunswick, New Jersey [u.a.], Rutgers Univ. Press. 
    • Awad, Nada (2015): Waiting for the Second Coming: The New Photographic Collection of the American Colony Archives. In: Jerusalem Quarterly 61. 101 - 111.
    • Azaryahu, Maoz / Golan, Arnon (2012): Photography, Memory, and Ethnic Cleansing: The Fate of the Jewish Quarter of Jerusalem, 1948—John Phillips’ Pictorial Record. In: Israel Studies 17 (2). S. 62 - 76.
    • Azoulay, Ariella (2015): Photographic Conditions: Looting, Archives, and the Figure of the “Infiltrator” in: Jerusalem Quarterly 61 In: Jerusalem Quarterly 61. S. 6 - 22.
    • Azoulay, Ariella (2015): Archive. In:  Downey (Hrsg.): Dissonant Archives. Contemporary Visual Culture and Contested Narratives in the Middle East. London, I.B. Tauris,
    • Bair, Barbara (2010): The American Colony Photography Department: Western Consumption and "Insider" Commercial Photography, in: Jerusalem Quarterly 44 In: Jerusalem Quarterly 44. S. 28 - 38.
    • Barromi-Perlman, Edna (2020): Visions of landscape photography in Palestine and Israel, in: Landscape Research.
    • Barromi Perlman, Edna (2013): “In My Eyes, Each Photograph was a Masterpiece”. Construction of children's photos in a family album on kibbutz in Israel, in: Social Semiotics, 23:1, 100-118.
    • Barromi Perlman, Edna (2012): Public and Private Photographs of Children on Kibbutzim in Israel: Observation and Analysis, in: Photography and Culture, 5:2, 149-166. 
    • Ben-Choreen, T.-O. K. (2019): Emergence of Fine Art Photography in Israel in the 1970s to the 1990s Through Pedagogical and Social Links with the United States. in: Contemporary Review of the Middle East, 6(3–4), 252–265. 
    • Berkowitz, Michael (2019): Photography’s Jewish affinities: Unintended benefits and squandered opportunities for Zionism & Israel, in: Journal of Israeli History, 37:2, 249-273.
    • Bhandar, Brenna / Toscano, Alberto (2016): Representing Palestinian dispossession: land, property, and photography in the settler colony. In: Settler Colonial Studies S. 1 - 18.
    • Bratchford, Gary (2014): Visualizing a Society on the Brink: Gaza and Hebron. In: Journal of Arab & Muslim Media Research Vol. 7, (2/3). S. 145 - 162.
    • Bratchford, Gary (2018): Constructing the ‘Right Image’: Visibility Management and the Palestinian Village of Susiya. In: Humanities 7 (98). 1-21.
    • Campbell, David (2009): Constructed visibility: photographing the catastrophe of Gaza. The Aesthetics of Catastrophe. Northwestern University, Chicago. First draft: 45.
    • Campbell, David (2009): Photographing the Catastrophe of Gaza - The Aesthetics of Catstrophe Chicago, North Western University, Chicago.
    • Dixon, Robert (2014): Shooting in occupied space: Frank Hurley in the Middle East, 1940-46. In: History of Photography 38 (1). 40-55.
    • Dobernig, Karin/Lobinger, Katharina, et al. (2010): Covering Conflict: Differences in Visual and Verbal News Coverage of the Gaza Crisis 2009 in Four Weekly News Media. In: Journal of Visual Literacy 29 (1). S. 88-105.
    • Donner, Batia (2005): Im Plural sehen. Fotografische Ikonen in der Geschichte des Zionismus, In:  Le Vitte-Harten/Zalmona (Hrsg.): Die neuen Hebräer: 100 Jahre Kunst in Israel. Berlin, Nicolai,
    • Döring, Tobias/Stein, Mark, et al. (2012): Edward Said's translocations essays in secular criticism. New York, NY [u.a.], Routledge.
    • Downey, Anthony (2015): Dissonant archives contemporary visual culture and contested narratives in the Middle East. London [u.a.], Tauris.
    • El-Hage, Badr (2007): The Armenian Pioneers of Middle Eastern Photography, in: Jerusalem Quarterly 31 In: Jerusalem Quarterly 31. S. 22 - 26.
    • Fahmy, Shahira / Rico, Neumann (2011): Shooting War Or Peace Photographs? An Examination of Newswires’ Coverage of the Conflict in Gaza (2008-2009), in: American Behavioral Scientist 56 (2). In: American Behavioral Scientist 56 (2). NP1 - NP26 (09).
    • Faulkner, Simon (2012): The most photographed wall in the world. In: Photographies 5 (2). S. 223 - 242.
    • Ginsburg, Ruthie (2009): Framing, Misframing, and Reframing - The Fiddler at Beit-Iba Checkpoint, in: Civil Organizations and Protest Movements in Israel, In:  Marteu, Elisabeth (Hrsg.): Civil Organizations and Protest Movements in Israel.
    • Ginsburg, Ruthie (2016): Gendered visual activism: Documenting human rights abuse from the private sphere. In: Current Sociology. S. 1 - 16.
    • Haikin, Naama (2006): Special Borders and Local Borders. A Photographic Discourse on Israeli Landscapes. In:  Photography (Hrsg.), 
    • Hayik, R. (2018): Through their eyes: Israeli-Arab students speak up through participatory documentary photography projects, in: Language Teaching Research, 22(4), 458–477.
    • Hazan, Noa (2010): The Racialisation of Jews in Israeli Documentary Photography, in: Journal of Intercultural Studies Vol. 31 (2). In: Journal of Intercultural Studies 31 (2). S. 161 - 182.
    • Hochberg, Gil Z. (2015): Visual occupations violence and visibility in a conflict zone. Durham London, Duke University Press.
    • Höller, Christian (2013): Walls, No Bridges: The Relation Between Revealing and Disguising in Ahlam Shibli’s Photographic Practice. In: Afterall.
    • Jungblut, Marc/Ieva Zakareviciute (2019): Do Pictures Tell a Different Story? A multimodal frame analysis of the 2014 Israel-Gaza conflict, in: Journalism Practice, 13:2, 206-228.
    • Kabha, Mustafa/Raz Guy (Hrsg.) (2008): Memories of a Place: The Photographic History of Wadi 'Ara, 1903-2008.
    • Kampf, Zohar (2006): Blood on Their Hands: The Story of a Photograph in the Israeli National Discourse. In: Semiotica 162 (1). S. 263 - 285.
    • Katriel, Tamar (2011): Showing and telling photography exhibitions in Israeli discourses of dissent. In:  Lehrer/Milton/Patterson (Hrsg.): Curating Difficult Knowledge New York, Palgrave.
    • Keysar, H. (2019): A spatial testimony: The politics of do-it-yourself aerial photography in East Jerusalem, in: Environment and Planning D: Society and Space, 37(3), 523–541.
    • Khalidi, Walid / Institute for Palestine Studies (Washington D.C.) (2010): Before their diaspora a photographic history of the Palestinians, 1876-1948. Washington, D.C, Institute for Palestine Studies.
    • Koltermann, Felix (2010): Der Gaza-Krieg im Bild, BICC Occasional Paper VI. Bonn, Bonn International Center for Conversion.
    • Koltermann, Felix (2015): Die Wiederentdeckung des Bekannten, in: Israel & Palästina 1/2015. In: Israel & Palästina 1/2015. S. 72 - 75.
    • Koltermann, Felix (2018): Between borders. Die Bewegungsfreiheit lokaler und internationaler Fotoreporter in Israel & Palästina. In:  Czepek/Hellwig et al. (Hrsg.): Freiheit und Journalismus. Baden-Baden, Nomos, S. 235-249.
    • Koltermann, Felix (Hrsg.) (2017): Fotografie in Israel, Palästina. Berlin, AphorismA.
    • Lenny, Ben-David (2012): The Zionist Message Hidden within Antique Pictures of the Holy Land, In: Jewish Political Studies Review 24 (3/4). S. 30 - 51.
    • Maimon, Vered/Grinbaum, Shiraz, et al. (2016): Activestills photography as protest in Palestine/Israel. London, Pluto Press.
    • Mannes-Abbott, Guy (2015): This is Tomorrow: On Emily Jacir's Art of Assembling Radically Generative Archive, In: Downey, Anthony (Hrsg.): Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East. New York, New York: I.B. Tauris,
    • Meishar, Naama (2010): Ground into dust, written in the skin: Here, Jaffa - Photography, performance, video art, In: HAGAR Studies in Culture, Polity and Identities 10 (1). S. 135 - 149.
    • Meislin, Andrea Popowich (2009): Photography in Palestine and Israel: 1900-Present Day. In:  (Hrsg.): Jewish Women: A Comprehensive Historical Encyclopedia 
    • Melki, Jad (2014): The interplay of politics, economy and culture in news framing of Middle East wars, In: Media, War & Conflict 7 (2). S. 165 - 186.
    • Mendelson, Andrew L. / Smith, C. Zoe (2006): Vision of a new state: Israel as mythologized by Robert Capa. In: Journalism Studies 7 (2). S. 187 - 211.
    • Mendelson, Andrew L. / Smith, C. Zoe (2006): Vision of a new state: Israel as mythologized by Robert Capa, In: Journalism Studies 7 (2). S. 187 - 211.
    • Merli, Andrea (2012): A New Art in an Ancient Land: Palestine through the lens of early European photographers, In: Jerusalem Quarterly 50. S. 23 - 36.
    • Meyers, Oren (2002): Still Photographs, Dynamic Memories: A Study of the Visual Presentation of Israel s Past in Commemorative Newspaper Supplements, in:The Communication Review, 5:3, 179-205.
    • Migliucci, Dario (2019): Photographic portrayal of Israel in the Italian leftwing press, 1947-67, in: Israel Affairs, 25:4, 660-674.
    • Mitchell, W. J. T. (2002): Landscape and power. Chicago London, The University of Chicago Press.
    • Monk, Daniel Bertrand (2002): Welcome to Crisis!”: Notes for a Pictorial History of the Pictorial Histories of the Arab Israeli War of June 1967, In: Grey Room Vol. 7. S. 136 - 158.
    • Monk, Daniel Bertrand (2005): Diskotel 1967: Israel and the Western Wall in the Aftermath of the Six Day War, In: Anthropology and Aesthetics Vol. 48. S. 166 - 178.
    • Morse, Tal (2014): Covering the Dead, in: Journalism Studies, 15:1, 98-113.
    • Mrowat, Ahmad (2007): Karimeh Abbud: Early Woman Photographer (1896-1955), In: Jerusalem Quarterly 31. S. 72 - 78.
    • Nassar, Issam (1997): Photographing Jerusalem the image of the city in nineteenth century photography. Boulder, East European Monographs.
    • Nassar, Issam (2003): Early local photography in Jerusalem, In: History of Photography Vol. 27 (4). S. 320 - 332.
    • Nassar, Issam (2004): Palästina als unbewohntes Territorium: Die Kolonialisierung und die Entkolonialisierung der Vorstellungswelt. In:  Gegenwartskunst (Hrsg.): Remapping the region. Bozen, Bozen: Folio,
    • Nassar, Issam (2006): Biblification' in the Service of Colonialism: Jerusalem in Nineteenth-century Photography, In: Third Text 20 (3/4). S. 317 - 326.
    • Nassar, Issam/Salṭī, Rashā, et al. (2009): I would have smiled : photographing the Palestinian refugee experience. Jerusalem, Institute for Palestinian Studies.
    • Nathanson, Regev (2010): Soldier Photographer and the Double Bind of Photographic Practic, In: Critical Asian Studies 42 (3). S. 437 - 440.
    • Neidhardt, Irit (2015): As if they do not exist. Images of (be)longing and of owning Palestine. In: Global Media Journal 5 (2).
    • Nir, Yeshayahu (1985): The bible and the image the history of photography in the holy land 1839-1899. Philadelphia, University of Pennsylvania Press.
    • Nir, Yeshayahu (1995): Photographic Representation and Social Interaction - The case of the Holy Land. In: History of Photography 19 (3), S. 185 - 194.
    • Oren, Ruth (1995): Zionist Photography, 1910-41 - Constructing a Landscape. In: History of Photography 19 (3).
    • Pasternak, Gil (2010): Posthumous Interruptions: The Political Life of Family Photographs in Israeli Military Cemeteries, in: Photography and Culture, 3:1, 41-63.
    • Perez, Nissan (1988): Focus East early photography in the Near East (1839-1885). New York, Abrams.
    • Perez, Nissan / Muzeon Yiśraʾel (2000): Time frame a century of photography in the land of Israel. Jerusalem.
    • Ramamurthy, Anandi (2016): Contesting the Visualization of Gaza, In: Photographies 9 (1). S. 31 - 50.
    • Robson, Mark (2004): The Baby Bomber, In: Journal of Visual Culture Vol. 3 (1). S. 63 - 76.
    • Rosen, Jochai (2007): The abused landscape: The works of young Israeli photographers, In: Afterimage 35 (1).
    • Rosen, Jochai (2008): The Zionist Renaissance and the Development of Israeli Sports Photography, In: History of Photography 32 (1). S. 74 - 84.
    • Rosen, Jochai (2010): The end of consensus - The crisis of the 1980s and the turning point in Israeli photography, In: Journals of Modern Jewish Studies. S. 327 - 347.
    • Rosen, Jochai (2013): The P6 group and critical Landscape Photography in Israel, In: Journal of Israeli History Vol. 35 (1). S. 75 - 86.
    • Sela, Rona (2005): Vom "goldenen Jerusalem" zum "brennenden Tel Aviv" . Von der zionistischen zur kritischen Fotografie. In:  Le Vitte-Harten (Hrsg.): Die neuen Hebräer: 100 Jahre Kunst in Israel. Berlin, Nicolai, S. 458 - 464.
    • Sela, Rona (2008): Utopian Visions of Zionist Landscape Photography in Israel 1898 - 1963, In:  Zingeur/Amar (Hrsg.): Utopies - Mémoires et Imaginaire. Essen: Die Blaue Eule,
    • Sela, Rona (2008): Gnealogy of an image in public consciousness. From David Rubinger 's photograph of paratroopers beside the western wall to Alex Levak's photograph of the affair of bus line 300. In:  Tammy/Naama (Hrsg.): Israel,
    • Sela, Rona (2015): Rethinking National Archives in Colonial Countries and Zones of Conflict, In:  Downey (Hrsg.): Dissonant Archives - Contemporary Visual Culture and Contested Narratives in the Middle East. IB Tauris,
    • Shapira, Esther (2008): Mohammed Al Durah - Die Ikone der zweiten Intifada, In:  Paul, Gerhard (Hrsg.): Das Jahrhundert der Bilder - 1949 bis heute. Göttingen, Göttingen: Vandenhoeck & Ruprecht,
    • Shasheen, Naseeb (1995): Photography in Ramallah. In: History of Photography 19 (3).
    • Sheehi, Steven (2015): Portraits Paths: Studio Photography in Ottoman Palestine, In: Jerusalem Quarterly 61. S. 23 - 41.
    • Tamari, Salim (2013): The War Photography of Khalil Raad: Ottoman Modernity and the Biblical Gaze, In: Jerusalem Quarterly 52. S.25 - 37.
    • Tenenboim-Weinblatt, Keren (2008): We will get through this together: Journalism, trauma and the Israeli disengagement from the Gaza Strip, In: Media, Culture & Society 30 (4). S. 495 - 513.
    • Tirosh, Noam/Inbal Klein-Avraham (2019) “Memorless”, in: Journalism Studies, 20:3, 381-400 .
    • Van Gelder, Hilde/Westgeest, Helen, et al. (2008): Photography between poetry and politics the critical position of the photographic medium in contemporary art, Leuven, Leuven Univ. Press.
    • Wahl, Hugh (2014): Negotiating representation in Israel and Palestine, In: Visual Studies 29 (1). S. 1 - 11.
    • Wigoder, Meir (2003): Blowing Up the Pose: The Politics of Photography Representation at a Standstill, In: Parallax Vol. 9 (1). S. 70 - 96.
    • Wigoder, Meir (2004): Revisiting the Oslo Peace Process and the Intifada - A conversation with Eldad Rafaeli, an Israeli photojournalist, In: Journalism 5 (4). S. 500 - 518.
    • Wigoder, Meir (2004): Die Vorzukunft der Fotografie: Die Pose im Zeitalter der Sebstmordattentate. In:  Gegenwartskunst (Hrsg.): Remapping the region. Bozen, Bozen, Folio,
    • Wigoder, Meir (2006): The Story of the Head. In: Third Text 20 (3-4). S. 449 - 462.
    • Wigoder, Meir (2010): The Blocked Gaze: A User's Guide to Photographing the Separation Barrier-Wall, In: Public Culture 22 (2). S. 292 - 308 (214). 
    • Wigoder, Meir (2012): The Acrobatic Gaze and the Pensive Image in Palestinian Morgue Photography, In: Critical Inquiry 38 (2). S. 267 - 288. 
    • Wigoder, Meir (2012): The ground of the violent image in Israel's "Cast Lead" Operation in Gaza, In:  Opondo/Shapiro (Hrsg.): The new violent cartography. London, London, Routlege,  
    • Woodward, M. L. (2009): Photographic Style and the Depiction of the Israeli-Palestinian Conflict since 1948, In: Jerusalem Quarterly 31. 
    • Woodward, M. L. (2009): Creating Memory and History. The role of archival practices in Lebanon and Palestine, In: Photographies 2 (1). 
    • Yanay, Niza (2008): Violence Unseen - Activating national icons in: Cultural Studies, Vol. 22 (1) In: Cultural Studies 22 (1). S. 134 - 158.
    • Zalmona, Yigal (2005): Die israelische Kunst und der Orient. In:  Le Vitte-Harten (Hrsg.): Die neuen Hebräer: 100 Jahre Kunst in Israel. Berlin, Nicolai, S. 154 - 163.
    • In Photos: Palestinian ‘Outposts’ Expose Israel’s Land Grab Tactic. (2017). in: Visual Communication, 16(3), 361–372.
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